I was pretty young, but I remember with fascination and horror the stills from the Zapruder film of the John Kennedy assassination. Frame by frame, Life Magazine, which in those days defined news photography, in early 1964 ran the grainy color 8mm images of the murder—Kennedy grabbing his throat as the first bullet hit him, then Jackie cradling him, finally a red blur as the killing round went through his head.
There must have been comparable, mass-circulated, images of death from before JFK’s, but I don’t remember any. The ones that came after I do remember well: Martin Luther King Jr. crumpled on the Memphis balcony; Bobby Kennedy dying, his face almost luminous as he’s comforted by the Filipino waiter in Los Angeles; the Viet Cong commando executed during Tet; the anguished girl crouching, screaming, alongside the dead student at Kent State.
They were signature moments from a world gone mad, and they left a mark because they were rare. They were rare because the news media shied away from pictures of death and dying. That was never because the pictures weren’t readily available. No metro newspaper ever complained about a shortage of grisly pictures. Images of shotgunned murder victims, limbs severed in car wrecks, impaled motorists were never hard to come by.
But the pictures were considered distasteful, more likely to cost subscriptions than to sell papers. I once asked an editor from the National Enquirer why his tabloid hadn’t published photos of Princess Diana dying in her wrecked limousine in Paris, by all accounts a harrowing scene captured by a platoon of paparazzi. Two reasons, he said: Our readers would hate us, and we’d get thrown out of the supermarkets.
Beyond that, the logic went, such images were rarely ever needed to tell the story. That was the thinking.
But that was then. We have entered a new age when it comes to images of death. Video of violent killings has become routine. Round-the-clock news channels, lacking fresh video, run continuous loops of snuff film.
How many times have I seen the 12-year-old in Cleveland with a toy gun shot dead by a cop with a real one; the teenager in Chicago as he’s shot and shot again, incredibly, 16 times, by a policeman; the Paris club-goers running into the alleyway, filmed from above, some dying, others stumbling past the bodies; the ISIS videos of hostage slaughter, images generally carried by our media right up to the moment when blade meets throat.
And the inexhaustible supply of surveillance video, a mainstay of local news now, more images of beatings and shootings. Our public records Continue reading “Images of real, violent death are now routine on screens big and small, and nobody knows what they’re doing to us”