The murders of the U.S. journalists James Foley and Steven Sotloff by their Islamist captors were trivial horrors in the spiraling calamity that has engulfed Syria and Iraq. Still, to me they were uniquely painful for reasons unrelated to the region’s incomparably greater misfortunes: They were the needless deaths of brave and committed professionals, they pointed up the frayed logic of this country’s no-ransom policy, and they reminded us of the vulnerability of the corps of freelancers on which our media increasingly rely for news from the world’s most desperate places.
As news stories the killings were was not just grim and depressing, they were perplexing too, because they couldn’t help but call into question the wisdom and morality of the considerations that define news and dictate how news is presented.
Reports of the deaths were inextricably interwoven with the spectacle that the killers created out of them, and for the news media, it was impossible to report the murders without dealing with the video of their final moments—whether displaying it, suppressing it, alluding to it, or excerpting from it.
This isn’t the first time that has happened, but I think the need for media to strike the balance between, on the one hand, judiciously conveying publicly significant information and imagery and, on the other, refusing to serve as a terrorist conduit requires a moral clarity that has been elusive.
I didn’t view the video of either killing and don’t intend to, for reasons that will be clearer in a moment, but my understanding from those who have is that they don’t actually show the beheadings. The screen fades to black as the ostensible executioner, standing alongside their kneeling prisoners, brings out the knife; the images return to show the immediate aftermath.
I mention that apparent fastidiousness to make a point that’s important—that these weren’t newsreels; the “news”—the slaughter itself–wasn’t shown. What was shown was a carefully composed set piece of physical domination and verbal polemic constructed around an offscreen act of cruelty, and it was produced to make a point.
The reluctance of various news media to show the videos—and the decision by Twitter and YouTube to remove the Foley video from their servers, and Continue reading